Lost Artwork of Central Library: Bison Hunt

Tiffney Sanford, Librarian, North Hollywood Amelia Earhart Regional Branch Library,
Bison Hunt mural by Charles Kassler Jr
Bison Hunt by Charles Kassler Jr. graced the Central Library Children’s Courtyard from 1934 until 1963 [n.d.]. Los Angeles Public Library Institutional Collection

One of the Los Angeles Public Library's largest pieces of outdoor art can only be appreciated in photos now, after becoming a victim of Southern California's weather. Bison Hunt, a 50-foot-by-26-foot fresco by painter/printmaker/lithographer/woodcutter Charles Kassler Jr., once graced a patio wall at Central Library. The fresco, commissioned by the Library Board of Commissioners and approved by the Municipal Art Commission, was part of the New Deal program known as the Public Works of Art Project (PWAP).

Artist Charles Kassler Jr. on scaffolding in front of Bison Hunt
Artist Charles Kassler Jr. on scaffolding in front of Bison Hunt in American Magazine of Art [April 1934]. via Archive.org

It took Kassler and his assistant, "Judy" Williams (aka Julian Evans Williams), just twenty-four days to complete the mural, which was painted on the east wall of the (now demolished) Children's Courtyard. The artists were employed by PWAP, and the library provided scaffolding and $60 for materials. Author/art collector/book designer Merle Armitage (then head of PWAP in Southern California) stated in a letter to City Librarian Everett R. Perry that Kassler's library fresco "would be one of the most important works of art created in the United States under the Public Works of Art Project."

Merle Armitage, Charles Kassler Jr., Alfred A. Cohn and Orra E. Monnette in the library courtyard 1934
Present at the mural dedication, (L-R) Merle Armitage (head of PWAP in Southern California at the time), artist Charles Kassler Jr., Alfred A. Cohn (Collector of Customs for Los Angeles), Orra E. Monnette (President of the Library Board of Commissioners) [March 7, 1934]. Los Angeles Times Photographic Archive, UCLA Library Special Collections
Buffalo Hunt postcard 1934
The artwork was occasionally mislabeled as "Buffalo Hunt" or "Stampeding Buffalo" in publications. Detail from Bison Hunt in Arts & Decoration [November 1934]. Via Archive.org
An advertisement in Art Digest 1934
An advertisement in Art Digest shows Kassler and his fellow Chouinard instructors [July 1, 1934]. Via Archive.org

During the summer of 1934, Kassler taught fresco painting at Chouinard Art Institute. His fresco method, also used on the library mural, involved applying watercolor directly to wet lime plaster. Unfortunately, the weather proved too much for Bison Hunt. Kassler's mural deteriorated in the elements and was ultimately painted over in 1963.

charles Kassler newspaper image 1934
Los Angeles Times [November 25, 1934]. Via Los Angeles Times Historical Archives (Proquest) at LAPL.org

Charles Kassler II (aka Charles Kassler Jr.) was born in Denver, Colorado, on September 9, 1897. When he was 14 years old, he set up a lab in the family garage, and one unfortunate experiment mixing potash and sulphur in a gas pipe caused an explosion that resulted in the amputation of his right hand. After high school, he briefly attended Princeton and later studied art at the Chicago Art Institute and at the Church School of Art. While touring Europe with his first wife, Kassler apprenticed with a fresco painter and researched fresco methods. In the early 1940s, Kassler moved away from the art world and focused instead on engineering and industrial design. He passed away in April 1979.

Bison Hunt fresco 1934
Bison Hunt was the largest fresco in the western United States when it was dedicated [1934]. Los Angeles Times Photographic Archive, UCLA Library Special Collections

The Treasury Department-funded Public Works of Art Project was short-lived, lasting from December 1933 until June 1934. Kassler completed another PWAP mural at Fullerton Union High School in 1934 and a mural, under the Treasury Relief Art Project (TRAP), at the Beverly Hills post office in 1935. Both of these works still exist and have been restored. A March 1934 review in the UCLA Daily Bruin called Kassler's work at Central Library "a mural of striking freshness and originality," praising its color and rhythmic mass movement. Hopefully, a color photo of Bison Hunt will turn up someday so we can see it as the artist intended.


 

 

 

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