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Douglas Kearney

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Episode 59: Douglas Kearney

Thursday, May 12, 2022
00:04:26
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Episode Summary

Los Angeles Poet Laureate Lynne Thompson reads Douglas Kearney’s poem "Eulogy for a Pair of Kicks" from his collection Sho.


Participant(s) Bio

Douglas Kearney has published seven books, most recently, Sho (Wave Books, 2021), a National Book Award, Pen American, and Minnesota Book Award finalist. Buck Studies (Fence Books, 2016), is the winner of the Theodore Roethke Memorial Poetry Award, the CLMP Firecracker Award for Poetry, and silver medalist for the California Book Award (Poetry).

His work is widely anthologized, including Best American Poetry (2014, 2015), Best American Experimental Writing (2014), Teaching Black: The Craft of Teaching on Black Culture and Literature, The Creative Critic: Writing As/About Practice, What I Say: Innovative Poetry by Black Writers in America, The BreakBeat Poets: New American Poetry in the Age of Hip-Hop, We Are Meant to Rise: Voices for Justice from Minneapolis to the World, The Future of Black, and Conceptualisms.

Source: DouglasKearney.com


Radio Imagination: Octavia E. Butler's Los Angeles

Ben Caldwell, Ayana A.H. Jamieson, Douglas Kearney, and Nisi Shawl
In conversation with Tisa Bryant
Thursday, March 10, 2016
1:26:47
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Episode Summary

Ten years after the passing of Los Angeles’ own Octavia E. Butler–one of America’s best science fiction writers and one of the few African-American women in the field—ALOUD celebrates Butler’s legacy. Navigating the dystopic L.A. that Butler often described in her short stories and novels, this panel will explore connections between Butler’s peers and colleagues, the generation of writers and scholars who follow, and how Butler’s futuristic work resonates today.

Part of Radio Imagination, artists and writers in the archive of Octavia E. Butler, a year-long program produced by Clockshop.


Participant(s) Bio

Arts educator and independent filmmaker Ben Caldwell is the founder of KAOS Network, a community arts center in Leimert Park that provides training on digital arts, media arts and multimedia. Caldwell’s films often trace historical and cultural connections. “Eyewitness: Reflections of Malcolm X & the O.A.A.U.” (2006) presents the Harlem reunion of ex-members of the Organization of Afro-American Unity. “La Buena Vida” (The Good Life) (2008), filmed over the course of three years while Caldwell taught at the California Institute of the Arts, documents the cultural exchanges between a group of hip hop artists and musicians from Los Angeles and their counterparts in Havana, Cuba.

Ayana A. H. Jamieson is a writer, editor, and organizer. She is a lecturer for State University of New York, Empire State College’s Center for Distance Learning. She is the founder of the Los Angeles-based Octavia E. Butler Legacy Network, a community organization that highlights the ongoing creative, scholarly, community, and social justice work inspired by speculative fiction author Octavia E. Butler. Jamieson was one of the organizers of “Ferguson is the Future — Incubating Alternative Worlds Through Arts, Activism, and Scholarship” symposium at Princeton University. Her current book project is Octavia Butler’s biography based on Butler’s own published and unpublished writing and her Southern California origins.

Douglas Kearney’s collection of writing on poetics and performativity, Mess and Mess and (2015), was a Small Press Distribution Handpicked Selection. His third poetry collection, Patter (2014), examines miscarriage, infertility, and parenthood. Kearney’s second book, The Black Automaton (2009) was a National Poetry Series selection. A collection of opera libretti—Someone Took They Tongues.—is forthcoming. He has received a Whiting Writer’s Award, residencies/fellowships from Cave Canem, The Rauschenberg Foundation, and others. His work has appeared in a number of journals, including Poetry, nocturnes, Pleiades, Iowa Review, Boston Review, and Indiana Review; and various anthologies. He teaches at CalArts.

A close friend of Octavia Butler during her years in Seattle, Nisi Shawl is a founder of the Carl Brandon Society and a member of Clarion West’s Board of Directors. Cynthia Ward she coauthored Writing the Other: A Practical Approach. Her story collection Filter House co-won the 2009 Tiptree Award. Shawl edited Bloodchildren: Stories by the Octavia E. Butler Scholars. She co-edited Strange Matings: Science Fiction, Feminism, African American Voices, and Octavia E. Butler; and Stories for Chip: A Tribute to Samuel R. Delany. Shawl’s Belgian Congo steampunk novel Everfair is due out in August.

Tisa Bryant is the author of Unexplained Presence, a collection of essays on myth-making and black presences in film, literature, and visual art, and co-editor of The Encyclopedia Project. Her work has recently appeared or is forthcoming in Viz. InterArts: Interventions, Body Forms: On Queerness and the Essay, the Reanimation Library’s Word Processor series and in Letters to the Future: An Anthology of Experimental Writing by Black Women, among others. She is currently working on a novel, The Curator. Bryant teaches in the MFA Creative Writing Program at the California Institute of the Arts.

DJ Lynnée Denise is a DJ, writer, and scholar who creates work informed and inspired by underground cultural movements, the 1980s, migration studies, theories of escape, and electronic music of the African Diaspora. Denise has received support from the Jerome Foundation, The Astrae Lesbian Foundation for Justice, Idea Capital, Residency BiljmAIR (Netherlands), and The Rauschenberg Artists as Activists Grant.


A Tribute to Wanda Coleman

With Terrance Hayes and Douglas Kearney. Music by David Ornette Cherry
Co-presented With Red Hen Press and Poetry Society of America
Saturday, January 18, 2014
01:19:14
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Episode Summary

A Tribute to Wanda Coleman with Terrance Hayes and Douglas Kearney. Music by David Ornette Cherry and featuring Stephen Kessler, Ron Koertge, Laurel Ann Bogen, Charles Harper Webb, Michael Datcher, Suzanne Lummis, Sesshu Foster, Jack and Adelle Foley, Brendan Constantine, Cecilia Woloch, Robin Coste Lewis, Austin Straus.


Participant(s) Bio

During this program, we paid tribute to Los Angeles' unofficial poet laureate, Wanda Coleman, with an evening of readings and shared memories. Honoring what she did for poetry and who she was in Los Angeles: a shy larger-than-life figure who, for decades, reminded us how to be our own most authentic selves, who made us remember histories of poetry and oppression and music. We will miss her, and we will celebrate her. We will remember her. Musical accompaniment was provided by David Ornette Cherry.


The Rocket's Red Glare: Politics in Art and Poetry

Co-sponsored by the Poetry Society of America
Tuesday, March 13, 2012
01:20:01
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Episode Summary
In an election year driven by worldwide public demonstrations, congressional stagecraft and conflicting narratives, rhetoric, aesthetics and politics are apt to collide. As part of a 2012 national series, poet-performer Douglas Kearney and artist-activist Edgar Arceneaux of the Watts House Project discuss the political impetus and implications of their work.

Participant(s) Bio
Los Angeles-based artist Edgar Arceneaux has been the Director of the Watts House Project, an artist driven neighborhood redevelopment project centered around the historic Watts Towers since 1999. He is the recipient of many awards including the United States Artists Award, and his many solo shows include exhibitions at the Hammer Museum, the Kitchen, the San Francisco Museum of Modern Art, Susanne Vielmetter Los Angeles Projects and The Studio Museum of Harlem. His work has also been included in the 2008 Whitney Biennial and California Biannual 2008. Edgar cares about the relationship between the art and the social space and has committed his professional life to its exploration.

Douglas Kearney is the author several books of poetry including Fear, Some (2006); The Black Automaton (2009), and Quantum Spit (2010.) He has received a Whiting Writers Award, a Coat Hanger award and fellowships at Idyllwild and Cave Canem. He has been commissioned to compose poetry in response to art by the Weisman Museum in the Twin Cities, the Studio Museum in Harlem, FOCA and SFMOMA. Performances of Kearney's libretti have been featured in Los Angeles, San Francisco, New York and Europe. He teaches at CalArts.

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