Join MacArthur Fellow and USC Annenberg Professor Josh Kun with the series historians—the Autry associate curator Tyree Boyd-Pates, Pitzer professor Suyapa Portillo Villeda, and USC professor Natalia Molina—to discuss this new collaboration with KPCC & LAist that blends live music, live conversation, and archival research from the Los Angeles Public Library’s archives.
Josh Kun is a professor in the Annenberg School for Communication and Journalism at the University of Southern California, where he directs the Popular Music Project of the Norman Lear Center. He is the author or editor of several books, including Audiotopia: Music, Race and America, and his writings on music and culture have appeared in The New York Times, the Los Angeles Times, The American Prospect, Los Angeles Magazine, and many other publications. As a curator and consultant, he has worked with The Getty Foundation, the GRAMMY Museum, the Santa Monica Museum of Art, the Autry Museum, the Skirball Cultural Center, and others.
Tyree Boyd-Pates is a dynamic history curator, professor, writer, and speaker who expounds on Black culture from a millennial vantage and mobilizes communities of color through journalism, social media, education, and history. With his work featured in The New York Times, Vogue, The Hollywood Reporter, Fast Company, Fortune Magazine, The Los Angeles Times, and other media outlets, Tyree's groundbreaking history exhibitions have inspired thousands to visit museums and engage with history anew. Additionally, he is a regular lecturer at universities to discuss American history, curation, and museums. Tyree is also a TEDx speaker who champions inner-city youth across the country.
Suyapa Portillo Villeda is Associate Professor of Chicana/o Latina/o Transnational Studies at Pitzer College. Her research and teaching priorities include Central American history, migration to the U.S., gender and labor in Central America, LGBTTI Latina/o populations and queer (im)migration in the Americas. Her work focuses on the intersections between labor, gender, ethnicity, race, and other marginalized identities in workers’ lives in Central America and in the U.S.
Natalia Molina is a Distinguished Professor in the Department of American Studies and Ethnicity at the University of Southern California. She is the author of two award-winning books, How Race Is Made in America: Immigration, Citizenship, and the Historical Power of Racial Scripts and Fit to Be Citizens?: Public Health and Race in Los Angeles, 1879-1940, as well as co-editor of Relational Formations of Race: Theory, Method and Practice. Her work examines the interconnectedness of racial and ethnic communities through her concept of "racial scripts" which looks at how practices, customs, policies and laws that are directed at one group and are readily available and hence easily applied to other groups. She continues to explore the themes of race, space, labor, immigration, gender, and urban history in her forthcoming book Place-Making at the Nayarit: How a Mexican Restaurant in Los Angeles Nourished its Community (University of California Press, 2022). Professor Molina is working on a new book, The Silent Hands that Shaped the Huntington: A History of Its Mexican Workers.